Mise-en-scene
Analysis in the Scene of Harry Potter
Film
by
Haris Kurniawati
Harry
Potter and the Deathly Hallows Part 2 directed by David
Yates (2011)
1.
The dominant:
In
this shot is the character Harry Potter (Daniel Radcliffe) because he is in the
front than others.
2.
Lighting
Key:
The lighting key in this shot is moderate
3.
Shot
and Camera Proxemics:
This
shot is medium shot because it shows the character body unfully. Harry Potter
is shot from head to waist, Harmione from head to under knees, Ron are shown
only his face. In addition, it is kind of medium shot because there is no
minimal amount of the locale.
4.
Camera
Angle:
This
shot is aye-level scene because there is no power relationship between those
characters
5.
Color
Values:
The
most dominant color in this scene is Harmione because her cloth contrasting
foil with the set and the others’ characters. She wears blue jacket while the
set is brown brick.
6.
Lens/Filter/Stock:
7.
Subsidiary
Contrast:
The
main subsidiary contrast in this shot is Harry Potter because his cloth blend
with the set, but his size is more significant than the others because he is in
focus. The object subsidiary contrast is the wand which is held by Harry
because it is the only object in focus.
8.
Density:
The
texture is stark because the picture scene of the characters looked so serious.
The scene is not dense because there
are no many object in the background, only limits four main objects: Harry, Harmione, Ron,
and the wand.
9.
Composition:
The scene has ho
10. Form:
The form in this scene is open form because
all the necessary information is carefully structured of the frame and the
space seems enclosed and self-contained rather than continuous.
11. Framing:
The framing is this shot is moderately
tight because there is no sufficient space between the body and the edges of
the frame.
12. Depth of Field:
This shot is shallow. Only two objects that
in focus, Harry and his wand
13. Character Placement:
The characters are centered in the frame
because the important objects in this scene are focused.
14. Character Proxemics:
The distance in this shot is intimate because there is close contact
between the physical of character.
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